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ROSA Gallery Watercolour Sketchbook A4 – 32 Sheets 250gsm 50% Cotton Fabriano Unica Paper, Spiral Hardback, Professional Ukrainian Art Pad

ROSA Gallery Watercolour Sketchbook A4 – 32 Sheets 250gsm 50% Cotton Fabriano Unica Paper, Spiral Hardback, Professional Ukrainian Art Pad

Regular price £25.90 GBP
Regular price Sale price £25.90 GBP
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Quantity
  • In Stock: available for dispatch
  • Free UK Delivery: orders over £40
  • Sustainable: 100% recyclable packaging

Thirty-two sheets you can actually paint on both sides of

Most watercolour sketchbooks quietly waste half of what you pay for. The reverse of each sheet either shows every wash through, or has a different texture to the front, so you skip it. Thirty sheets becomes thirty surfaces. The ROSA Gallery A4 Watercolour Sketchbook is built around double-sided Italian paper with identical grain on both faces — so 32 sheets means 64 working surfaces, and the maths on price per painting changes completely.

Inside is Fabriano Unica: 250gsm, 50% cotton, acid-free, with a soft natural grain that comes from centuries of papermaking at the Fabriano mills. ROSA selected it for their professional watercolour range specifically because of how it takes water — the cotton content lets it absorb heavy washes and hold pigment for lifting, while the fine grain keeps fine detail and line work crisp. It is equally happy with water-based markers, liners, gouache and acrylic.

Specification

  • Size: A4 (21 × 29.7 cm), portrait format
  • Sheets: 32 double-sided sheets — 64 usable surfaces
  • Paper: Fabriano Unica, 250gsm, 50% cotton / 50% cellulose, acid-free
  • Grain: fine, natural, identical on both sides
  • Binding: wirebound spiral on the long edge — folds fully flat, or all the way back on itself
  • Cover: rigid board in turquoise with embossed ROSA logo, doubles as a sketching board when you are standing
  • Micro-perforated sheets — tear out a finished piece cleanly, with no ragged spiral edge
  • Vertical elastic closure keeps the book shut in a bag
  • Cover artwork: "The Smile of Autumn" by Ukrainian artist Olena Vinyarska, painted in watercolour and liner, 2021
  • Suitable for: watercolour, water-based markers, liners, gouache, acrylic, pencil
  • Weight: approx. 700g

Why the binding matters more than people expect

A hardback sewn sketchbook looks beautiful on a shelf and fights you on a hillside. The gutter never lies flat, so a wash running across a double page pools in the crease, and you cannot fold the book back to hold it one-handed. This one is spiral bound with a rigid cover for a reason: fold it fully back, hold it against your forearm, and you have a painting board that weighs almost nothing. Then micro-perforation lets you take the finished sheet out and frame it — something you simply cannot do with a sewn book without a scalpel and regret.

About Fabriano Unica

If you know Unica, you may know it as a printmaking paper — that is where Fabriano originally positioned it, developed with printmakers at the Opificio della Rosa. That heritage is exactly why it works here. Printmaking paper is engineered to absorb water and stay dimensionally stable under pressure without buckling, which is the same demand a heavy watercolour wash makes of a surface. It is not a traditional cold-pressed watercolour paper and does not pretend to be: the grain is finer and the surface softer. Painters who like granulating pigments, lifting, and detailed linework tend to prefer it. If you want deep tooth and aggressive texture, a rough 300gsm block will suit you better — and we would rather tell you that now than in a returns email.

Who it is for

  • Plein air and travel painters — rigid cover, flat fold, one-handed working
  • Urban sketchers — takes fineliner and waterbrush without feathering
  • Illustrators and botanical painters — fine grain holds detail
  • Improving watercolourists stepping up from 180gsm student pads to real cotton paper
  • Anyone keeping a visual diary — 64 surfaces in one book, in order, dated

A gift for a painter that will not sit in a drawer

Paper is the one thing every watercolourist gets through and nobody buys enough of. Unlike paints, there is no risk of duplicating a colour they already own or guessing wrong on a brand. A cotton-content Italian paper sketchbook with a Ukrainian artist's work on the cover reads as a considered gift rather than a stationery purchase, and sits neatly in the under-£30 bracket for birthdays, art school starts and Christmas.

Frequently asked questions

Can I really paint on both sides?

Yes. The paper is double-sided with the same grain on each face and is sized on both sides. With normal washes there is no show-through at 250gsm. Very heavy, saturated pouring may show a faint ghost — let one side dry fully before working the reverse.

Is this cold press or hot press?

Neither in the strict sense. Fabriano Unica has a fine natural grain that sits between hot press smoothness and cold press tooth. Closest comparison: a fine-grain (grana fine) surface.

Will it buckle?

At 250gsm with 50% cotton, light and medium washes stay flat. Very wet work will cockle slightly, as it will in any pad under 300gsm — tearing the sheet out and stretching it solves this if you work very wet.

Can I tear sheets out cleanly?

Yes — the sheets are micro-perforated at the spiral edge and come away with a clean straight line.

What other sizes are available?

ROSA Gallery makes this sketchbook in A5 and a 20 × 20 cm square format as well. Contact us if you would like a size we are not currently listing.

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Add to basket for UK tracked delivery. Stock is limited — ROSA Gallery paper is imported in small batches from Ukraine and we do not hold deep inventory.

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